| Status: | Active, open to new members |
| Leader: |
Robert Sedgley
|
| Group email: | History & Appreciation of Art group historyofart@u3aoliva.org |
| When: | Monthly on Tuesday afternoons 5:00 PM-7:00 PM |
| Venue: | Biblioteca de L'Envic |
| Cost: | Free |
The activity of the group is to further our understanding and appreciation of art through an illustrated talk from the leader and with contributions from the group. All are welcome; whether expert or not come and join in the conversation, find out more about the wonderful and surprising world of art.
We have now been running for about twelve years and have come in our chronological survey up to the beginning of the Twentieth Century, and are looking at the revolution in the visual arts that we call Modernism. For new members who wish to acquire a background understanding of what went before I recommend reading the notes of previous meetings. These are complete from the earliest paintings on the walls of caves, up to the early moderns: Fauvism, Cubism, Expressionism and Futurism. However, this is by no means compulsory – we are not an exam group!
All are welcome; whether expert or not come and join in the conversation, find out more about the wonderful and surprising world of art!
Leader: Robert Sedgley
Next meeting
The next meeting will be on Tuesday 3rd of November
Art and Poetry of the First World War
Many of these works tell of the horrors and traumas of war and the atrocities that humans in extreme circumstances can inflict on one another. The poems and paintings, based on the personal experiences of their creators, may be distressful to encounter, but in their brutal honesty and clear sight they are magnificent and tragic memorials and ultimately a testament to survival, to the human spirit and a shared humanity. They are, in addition to being among the highest works of art of the early twentieth century, reports: case-histories of the period. Each of these works stand as witness, in the words of one poet "lest we forget".
Ezra Pound An Immorality
Sing we for love and idleness,
naught else is worth the having.
Though I have been in many a land,
There is naught else in living.
And I would rather have my sweet,
Though rose-leaves die of grieving,
Than do high deeds in Hungary
To pass all men's believing.
Siegfried Sassoon The Kiss
To these I turn, in these I trust;
Brother Lead and Sister Steel.
To his blind power I make appeal;
I guard her beauty clean from rust.
He spins and burns and loves the air,
And splits a skull to win my praise;
But up the nobly marching days
She glitters naked, cold and fair.
Sweet Sister, grant your soldier this;
That in good fury he may feel
The body where he sets his heel
Quail from your downward darting kiss.